Mixed Media
2022
南方熊楠のことを考えながら,生きていることと死んでいることの間にいる粘菌やきのこのことを考えていた.
ジョンケージは4:33をきのこの音楽と呼んでいるし,ナムジュンパイクの定在遊牧民のコンセプトはデジタル手長足長とも言い換えることができる.これらを通底する哲学が現在に引き継がれてきたのは計算機の文脈がなければなしえなかったことだと思う.ケージの飼っていた猫,農耕を始めた頃から共同生活を始めたリビアヤマネコ,逆たかり行動を持たないと言われる彼らのフットワークの軽さを思いながら,電子ペーパーに書を書いた.計算器に囲まれた文字が幸せそうに見える
As Ochiai thought about Japanese author and ethnologist Kumagusu Minakata, he was also thinking about slime molds and mushrooms that exist between the realms of life and death. American composer John Cage called 4'33" the music of mushrooms, and Korean-American artist Nam June Paik's concept of stationary nomads could also be described as digital Tenaga (Long Arms) and Ashinaga (Long Legs). Ochiai believes the philosophies that underlie these concepts could not have been passed down without the context of the computer. He wrote on electronic paper while thinking of John Cage’ s cat as well as the African wildcat which people began living within the age of farming. He specifically thought of their light footwork and how they lack contrafreeloading behavior.
猫茸遊牧民のための計算器へのお問い合わせは、当サイトのContactページのフォームよりお問い合わせください。
For inquiries about Computational Resource for Cat-Mushroom-Nomads, please use the form on the Contact page of this site.