2022
デジタルと物質の間を繰り返し転移し続ける作品の過程で，あえてフレームレートゼロ，質量性の高い 2.5 次元印刷に着地した．表面のテクスチャの土着性風土性からデジタルバナキュラーを感じている．
In the process of this work, which repeatedly transitions between the digital and the material, Ochiai deliberately came to the conclusion of creating a 2.5-dimensional print with zero frame rate and a high degree of mass. The indigenous endemic nature of the surface texture gives a sense of digital vanacular.
Re-Materialization of Waves No.1
Re-Materialization of Waves No.2
Re-Materialization of Waves No.3
Re-Materialization of Waves No.4
Re-Materialization of Waves No.5
Re-Materialization of Waves No.6
Re-Materialization of Waves No.7
Re-Materialization of Waves No.8
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